“Water Dreaming”

Dinny Nolan Tjampitjinpa (Australian Aboriginal 1935-)

$5,000.00

MATERIALS:

Acrylic On Canvas

DIMENSIONS:

Image size 79.5cm x 125.5cm Frame size 84cm x 128.5cm x 4.5cm

INSCRIPTIONS:

Dinny Nolan “Water Dreaming”

“Dinny Nolan is among one of the first men to put the traditional body paintings for ceremonies and sand drawings on to canvas”

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Bio

Dinny Nolan Tjampitjinpa (Australian Aboriginal 1935-)

Dinny Nolan Tjampitjinpa was born west of Mt. Allan in 1935 near the area of Yuendumu. In the early years he worked as a stockman for many cattle stations in the Northern Territory before moving to Papunya, as did many of his relatives during this time. He went to paint for the Papunya Tula Artists in the mid-1970s.

Dinny Nolan Tjampitjinpa is a senior and highly respected member of his tribe as well as a Lawman. He is a recognised leader for Rainmaking and Water Dreaming ceremonies.

Dinny Nolan is among one of the first men to put the traditional body paintings for ceremonies and sand drawings on to canvas. He painted his Dreamings with his brother Kaapa Tjampitjinpa and his two cousins Clifford Possum Tjapaltjarri and Billy Stockman Tjapaltjarri (Kaapa & Billy worked along with Long Jack Phillipus Tjakamarra, to paint the “Honey Ant Dreaming” mural on the Papunya School Wall which was painted in 1971, This event marked a major turning point in the history of Australian Aboriginal art, and was particularly important in helping launch the Western Desert Art Movement).

He later travelled to Melbourne in 1977 for an exhibition of Papunya Tula paintings and in 1981 he visited Sydney to paint the first ground painting to be seen outside of Central Australia.

Dinny Nolan’s has a number of paintings that are held in the Australian National Gallery collection, including one of Dinny Nolan’s designs which was used for a stained glass window in the National Gallery of Victoria.

Condition

Image in Great condition with very minor marks consistent with age Frame in Good condition may have some minor Chipping and scratching on frame plus usual wear marks from use and displaying consistent with age see photos as photos play an important role in description of condition – Art work/s will be posted in a picture box made by us from Cardboard and Foam packaging to suit the size of your individual art work/s send us a message so we can do combined postage where possible and safe to do so THIS may save you money if you buy more than one art work Please note that some art works cannot be combined because of delicate nature e.g. Delicate Glass fragile frames

Most of the art work we sell are of an antique or vintage era and reflect this in condition they are not in new condition unless stipulated we have a scale we use of Excellent Condition: No visible flaws Chips scratches or wear – Great Condition: May have flaws Chips scratches and wear – Good Condition: Does have significant flaws Chips scratches and wear in as found condition

TMC2210183W *****************

Postal package 91cm x 137cm x 14cm 4.7kg *****************

FAQ / Contact Us

Because we are an online store and not a physical traditional store there is no local pick up on this art work or viewing of artwork prior to sale if you have any further questions or need more photos just email us and will endeavour help you further.

You can Contact us about combining postage.

We will combine postage where possible and safe to do so, THIS MAY save you money if you buy more than one art work.

Please note that some art works cannot be combined because of delicate nature e.g. Delicate Glass, fragile frames, large size, etc.

Please Note Australian Domestic Buyers as part of the purchase price when you purchase this Artwork it will be covered by Insurance (loss/Damage) we also Ship your Artwork via Australia Post / Pack & Send which will require a signature on delivery for extra security

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For more information visit Purchasing Shipping and Returns.

Most of the artwork we sell are of an antique or vintage era and reflect this in condition, they are not in new condition unless stipulated.

We have a scale we use of Excellent Condition: No visible flaws Chips scratches or wear – Great Condition: May have flaws Chips scratches and wear – Good Condition: Does have significant flaws Chips scratches and wear in as found condition

We also add additional condition information to the listing description & photos play an important role in condition description.