Bio
Norma C. Bull (Australian 1906 – 1980) Bio
Bull was born in Melbourne 1906. In 1932 aged 26 Norma graduated from the National Gallery of Victoria Art School. In 1934 she sold two works to the Melbourne Art Gallery and the same year the poet John Masefield agreed to sit for her whilst visiting Melbourne. Norma in 1939 moved to England to widen her artistic experience.
When the Second World War was declared in September that year Bull volunteered for civil defence work. She worked as a volunteer at a First Aid Clearing Station near Oxford. She went on to train other volunteers at a First Aid Post in Somerset and helped with evacuees and did fire-watching shifts in Bath. In 1941, supported by a recommendation from John Masefield, Bull contacted the War Artists’ Advisory Committee offering her services as an artist.
In February 1941 she was given a sketching permit to record bomb damage in Bristol. In 1942, whilst staying in Bournemouth, she asked to sketch at the Observer Corps post on Canford Cliffs and despite permission from the Officer Commanding of the post, the Chief Constable of Dorset complained about her presence and Bull temporarily lost her sketching permit.
As well as bomb damage in Bath and Bristol, her other wartime subjects included Chelsea pensioners, children helping with the harvest and searchlights illuminating St Paul’s Cathedral on the night of V-E Day. Three of Bull’s painting, including one of the bomb damage to the Temple Church in London, were purchased by WAAC for between eight and ten guineas each. In 1947 an exhibition of her wartime work was held at Australia House in London. The show was well reviewed and the Queen attended and bought nine paintings, which remain in the Royal Collection today.
After the war, Bull returned to Australia where she continued her career as an artist. Upon her return to Australia, Bull spent twelve months travelling around the country with Wirth’s Circus painting scenes of circus life. She then returned to Melbourne to live in her childhood home, Medlow in Surrey Hills. As well as painting and teaching art, Bull served as the secretary of the Fellowship of Australian Artists from 1960. Bull painted landscapes and seascapes, often at her holiday homes in Anglesea and Bright.
