{"id":20743,"date":"2026-09-13T17:56:57","date_gmt":"2026-09-13T07:56:57","guid":{"rendered":"https:\/\/themccorrycollection.com\/m\/shop\/?page_id=20743"},"modified":"2026-09-13T18:28:51","modified_gmt":"2026-09-13T08:28:51","slug":"vintage-brass-bronze-and-decorative-metalware-identification-and-collecting-guide","status":"publish","type":"page","link":"https:\/\/themccorrycollection.com\/m\/shop\/vintage-brass-bronze-and-decorative-metalware-identification-and-collecting-guide\/","title":{"rendered":"Vintage Brass, Bronze and Decorative Metalware Identification and Collecting Guide"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Vintage brass, bronze and decorative metalware can bring warmth, texture and sculptural character to an interior. The field includes everything from modernist sculptures and nautical ornaments to candlesticks, trays, boxes, bookends, animals, bells, bowls and traditional household objects.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Some pieces were individually designed or made by recognised workshops. Others were produced commercially but remain collectable because of their quality, weight, construction and visual appeal. An unmarked object should not automatically be dismissed. A beautifully proportioned, substantial and well-finished piece can have genuine decorative and collectable value even when its maker remains unknown.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This guide explains how to distinguish common metals, examine manufacturing methods and marks, assess age and condition, avoid misleading attributions and recognise the qualities that separate better vintage metalware from ordinary decorative reproductions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What Is Decorative Metalware?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Decorative metalware is a broad term covering metal objects primarily valued for their appearance, craftsmanship, design or historical interest. Some objects also had practical functions, while others were created purely for display.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Common examples include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sculptures and figurines<\/li>\n\n\n\n<li>Sailboats and nautical ornaments<\/li>\n\n\n\n<li>Animal and bird figures<\/li>\n\n\n\n<li>Candlesticks and candelabra<\/li>\n\n\n\n<li>Trays, bowls and dishes<\/li>\n\n\n\n<li>Vases and jardinieres<\/li>\n\n\n\n<li>Bookends and desk accessories<\/li>\n\n\n\n<li>Bells, boxes and containers<\/li>\n\n\n\n<li>Doorstops and fireplace ornaments<\/li>\n\n\n\n<li>Religious and ceremonial objects<\/li>\n\n\n\n<li>Architectural and furniture fittings<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Materials may include brass, bronze, copper, pewter, spelter, iron, steel, aluminium and various plated or mixed-metal constructions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brass, Bronze and Copper: What Is the Difference?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brass<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brass is principally an alloy of copper and zinc. It normally has a yellow or golden appearance, although its colour can range from pale yellow to warm reddish gold depending on its composition and finish.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brass can be cast, rolled into sheet, spun, pressed, engraved, hammered, polished or lacquered. It has been widely used for decorative objects because it combines an attractive colour with good workability and reasonable durability.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bronze<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bronze traditionally refers to an alloy of copper and tin, although modern commercial and artistic bronzes may contain other elements. Bronze is commonly associated with cast sculpture and may display brown, reddish, golden, black or deliberately produced green surface colours.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A dark patina does not prove that an object is bronze. Brass can also develop brown, black or green surface changes, and both metals can receive artificial finishes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Copper<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Copper has a naturally reddish or orange-brown colour. It is comparatively soft and easily worked into sheet, embossed, hammered or spun forms. Exposed copper can gradually darken and may develop green corrosion products under certain environmental conditions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Other Metals<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pewter is generally grey or silver-coloured and comparatively soft. Spelter, a zinc-based alloy frequently used for cast decorative figures, is lighter and more brittle than bronze. Iron and steel are usually magnetic, while aluminium is notably light for its size.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colour alone is never enough for a certain identification because polishing, patination, lacquer, plating and age can substantially alter an object\u2019s appearance.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Is It Solid Brass or Brass-Plated?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Begin by examining the entire object, especially worn edges, scratches, the underside and concealed areas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Indicators consistent with solid brass include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The same golden metal visible beneath minor scratches<\/li>\n\n\n\n<li>Substantial weight relative to size<\/li>\n\n\n\n<li>Cast surfaces or machining marks in concealed areas<\/li>\n\n\n\n<li>Natural variation in colour rather than a perfectly uniform coating<\/li>\n\n\n\n<li>No exposed grey, silver or reddish base metal along worn edges<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">A magnet can help identify iron or steel beneath brass plating. If a magnet adheres strongly, the object probably contains ferrous metal. However, a magnet that does not stick does not by itself prove that an object is solid brass. Zinc, aluminium, copper and some other non-ferrous metals are also non-magnetic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avoid filing, drilling or making deep scratches simply to identify a collectable object. Destructive testing can permanently damage its finish and value.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How Vintage Metalware Was Made<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Understanding construction is often more useful than simply judging colour.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cast Metal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Molten metal is poured into a mould and allowed to solidify. Cast pieces may show:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Considerable thickness and weight<\/li>\n\n\n\n<li>Slight surface irregularities<\/li>\n\n\n\n<li>Mould seams or areas where seams were removed<\/li>\n\n\n\n<li>Textured or unfinished undersides<\/li>\n\n\n\n<li>Small casting pits or tool marks<\/li>\n\n\n\n<li>Separate components joined with screws, pins, solder or brazing<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">High-quality casting may be carefully chased, filed and polished until very few production marks remain.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sheet and Pressed Metal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sheet metal is rolled thin and then cut, folded, stamped, pressed or formed. These objects may be attractive and collectable but are generally lighter than comparable cast pieces.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Look for folded edges, hollow forms, seams, soldered joints and uniform wall thickness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spun Metal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Circular objects such as bowls, vases and lamp components may have been shaped on a lathe. Fine concentric lines can sometimes be seen inside or beneath the object.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hammered and Hand-Worked Metal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hand-hammered surfaces may show controlled variations rather than perfectly repetitive machine-made impressions. Hammering alone does not prove great age or individual studio production because commercial workshops also used hammered finishes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Assembled and Mixed-Metal Objects<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Many decorative objects combine cast, sheet and machined components. Brass sculptures may be mounted on timber, marble, onyx or stone bases. Screws and threaded fittings can provide useful construction evidence, but they must be interpreted alongside the overall design and workmanship.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Where to Look for Marks<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Always examine an object under good light and photograph the front, back, underside and every mark before researching it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Possible marks include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Artist signatures<\/li>\n\n\n\n<li>Foundry stamps<\/li>\n\n\n\n<li>Manufacturer names or logos<\/li>\n\n\n\n<li>Country-of-origin marks<\/li>\n\n\n\n<li>Retailer labels<\/li>\n\n\n\n<li>Model or pattern numbers<\/li>\n\n\n\n<li>Copyright symbols<\/li>\n\n\n\n<li>Registration or patent details<\/li>\n\n\n\n<li>Material marks<\/li>\n\n\n\n<li>Paper labels or foil stickers<\/li>\n\n\n\n<li>Handwritten workshop numbers<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Marks may be cast into the object, stamped, engraved, incised, applied on a plaque or printed on a label. Faint marks can sometimes become clearer under angled light, but aggressive polishing may erase useful surface evidence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A number by itself is not necessarily a date. It may instead identify a mould, model, size, batch or component.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How to Research an Unmarked Object<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When no mark is present, identification becomes a process of comparison rather than certainty.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Record:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Exact height, width and depth<\/li>\n\n\n\n<li>Accurate unpacked weight<\/li>\n\n\n\n<li>Metal colour and surface finish<\/li>\n\n\n\n<li>Whether the object is cast, pressed, spun or assembled<\/li>\n\n\n\n<li>Visible seams, screws and joints<\/li>\n\n\n\n<li>Underside construction<\/li>\n\n\n\n<li>Subject and design style<\/li>\n\n\n\n<li>Any base material or attached label<\/li>\n\n\n\n<li>Areas of wear, corrosion or previous repair<\/li>\n\n\n\n<li>Where and when the object was acquired<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Search using the most distinctive combination of characteristics rather than broad terms alone.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For example:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Solid brass modernist sailboat sculpture two sweeping sails cast hull 21 cm<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Compare the actual shape, proportions, assembly, dimensions and underside, not merely the general subject. Two objects described as vintage brass sailboats may differ greatly in quality and value.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Image searches can help locate visually similar pieces, but copied descriptions and repeated online attributions are not proof. Trace claims back to signed examples, documented manufacturers, museum collections, catalogues or reliable period references wherever possible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Can Style Determine the Date?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Style can suggest a period, but it rarely proves one.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simplified geometric forms, sweeping lines and minimal ornament may be described as modernist. Similar designs were particularly popular during the mid-to-late twentieth century, but they have also been reproduced and reinterpreted later.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Terms such as Art Deco, Mid-Century Modern, Hollywood Regency and Brutalist are frequently overused in online listings. These descriptions should be supported by the object\u2019s design, construction and documented history.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When the precise date is unknown, use careful wording such as:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Vintage modernist design<\/li>\n\n\n\n<li>Mid-century style<\/li>\n\n\n\n<li>Later twentieth-century appearance<\/li>\n\n\n\n<li>Precise date and maker unknown<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Do not turn stylistic resemblance into an unsupported attribution.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What Makes Vintage Metalware Collectable?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The strongest decorative metalware usually combines several qualities.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Design<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A strong silhouette, balanced proportions and a distinctive sculptural form can make an unmarked object desirable.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Construction<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collectors generally favour substantial, well-assembled objects over thin, unstable or poorly finished examples.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Surface and Finish<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An attractive original finish can add depth and character. A well-preserved polished surface may be equally appealing when appropriate to the design.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Maker or Artist<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A verified maker, designer, artist or foundry can significantly increase interest, but the attribution must be supported by a genuine signature, mark or reliable documentation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Condition<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Structural condition matters. Cracks, broken components, crude repairs, severe corrosion and unstable bases can reduce both appeal and value.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rarity and Availability<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An unusual form may deserve a premium when exact matching examples are genuinely difficult to locate. However, rarity alone does not guarantee demand.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Decorative Presence<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Some objects succeed because they display exceptionally well. Size, weight, colour, sculptural strength and compatibility with contemporary interiors can give vintage metalware lasting commercial appeal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Condition: Patina, Tarnish or Damage?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Not every darkened or uneven surface is damage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Patina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Patina is a surface change created naturally over time or applied deliberately during manufacture. A stable, attractive patina may be an important part of an object\u2019s appearance and should not automatically be removed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tarnish<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tarnish is a surface reaction that can dull or darken metal. Light tarnish may be acceptable and can contribute to an aged appearance.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Active Corrosion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Powdery, flaking, weeping or rapidly changing corrosion deserves attention. Bright green, blue-green, white or reddish deposits may indicate an unstable reaction depending on the metal involved and its environment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wear<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Minor scratches, rubbing and small surface marks are expected on many vintage objects. They should be disclosed but need not be presented as serious faults when they do not diminish the overall display.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Repairs and Replacements<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Check soldered joints, bases, screws, mounting rods and delicate projections. Look for mismatched colour, excess adhesive, fresh solder, replaced fittings or movement between components.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cleaning and Caring for Vintage Brass and Bronze<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cleaning should begin with the least aggressive method.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Remove loose dust with a clean, soft brush or dry microfibre cloth.<\/li>\n\n\n\n<li>Check whether the object is lacquered, plated, painted, patinated or made from mixed materials.<\/li>\n\n\n\n<li>Test any proposed treatment in a small, inconspicuous area.<\/li>\n\n\n\n<li>Avoid soaking assembled objects, particularly those containing timber, felt, adhesives, stone or internal iron fittings.<\/li>\n\n\n\n<li>Do not automatically polish away an established patina.<\/li>\n\n\n\n<li>Dry metal thoroughly and handle it with clean, dry hands.<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Strong acids, vinegar baths, abrasive powders, wire brushes and aggressive metal polish can alter the surface, lodge in crevices or remove original finishes. A bright surface is not always a better or more valuable surface.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For further museum-based guidance, consult the Canadian Conservation Institute\u2019s metal-care resources and the Victoria and Albert Museum\u2019s conservation information.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Valuable, signed, archaeological, heavily corroded or unusually patinated objects should be assessed by a qualified metals conservator before substantial cleaning.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Buying Vintage Decorative Metalware<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Before purchasing, ask:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Is the object marked or signed?<\/li>\n\n\n\n<li>Is the attribution supported by evidence?<\/li>\n\n\n\n<li>Is it solid metal, plated or merely brass-coloured?<\/li>\n\n\n\n<li>Is it cast, pressed, spun or assembled?<\/li>\n\n\n\n<li>Does it feel substantial and stable?<\/li>\n\n\n\n<li>Are there cracks, missing parts or repairs?<\/li>\n\n\n\n<li>Is the surface original?<\/li>\n\n\n\n<li>Has it been aggressively polished?<\/li>\n\n\n\n<li>Are identical examples readily available?<\/li>\n\n\n\n<li>Does the price reflect actual quality and demand?<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Handle the object where possible. Weight is useful evidence, but it must be considered together with thickness, construction, finish and balance.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An unmarked piece may still be worth purchasing when its quality and visual appeal are strong. Conversely, a vague claim such as designer, rare, Danish or mid-century should not justify a premium without evidence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Valuing Brass, Bronze and Decorative Metalware<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Do not rely on a single asking price. Compare:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Recent sold examples<\/li>\n\n\n\n<li>Exact matches before general similarities<\/li>\n\n\n\n<li>Australian results before overseas listings<\/li>\n\n\n\n<li>Signed examples separately from unmarked pieces<\/li>\n\n\n\n<li>Size and weight<\/li>\n\n\n\n<li>Construction quality<\/li>\n\n\n\n<li>Condition and completeness<\/li>\n\n\n\n<li>Original finish and patina<\/li>\n\n\n\n<li>Shipping cost and breakage risk<\/li>\n\n\n\n<li>Current decorative demand<\/li>\n\n\n\n<li>How frequently comparable pieces actually sell<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">An identified studio bronze and an unsigned commercial brass ornament may share the same subject but belong to entirely different markets.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For unusual pieces with no exact comparison, value should consider both the lower commodity market and the premium justified by superior design, construction and scarcity. A patient seller may reasonably hold a distinctive object at a stronger price when it contributes to the overall quality of a collection.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Featured Example: Vintage Modernist Solid-Brass Sailboat<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The featured sailboat illustrates why an unmarked object can still merit serious attention.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although its maker and exact date are unknown, the sculpture has thick cast-brass construction, a properly formed hull, clean sweeping sails and substantial weight for its compact dimensions. At approximately 21 centimetres high and 387 grams, it feels solid, balanced and purposefully designed rather than flimsy or souvenir-like.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Its restrained modernist silhouette gives it architectural and decorative appeal beyond conventional nautical collecting. The sculpture demonstrates that identification and value should consider physical quality, construction and design, not merely the absence of a recognised name.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Without a mark or documented provenance, it should not be assigned to a particular designer, country or decade. Its defensible description is:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vintage modernist solid-brass sailboat sculpture; unmarked maker and precise production date unknown.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collecting Strategy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A focused decorative-metalware collection does not need to be limited to one maker or period. It may instead be built around:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Modernist sculpture<\/li>\n\n\n\n<li>Nautical subjects<\/li>\n\n\n\n<li>Animals and birds<\/li>\n\n\n\n<li>Australian studio metalwork<\/li>\n\n\n\n<li>Signed designer objects<\/li>\n\n\n\n<li>Brass and stone combinations<\/li>\n\n\n\n<li>Architectural forms<\/li>\n\n\n\n<li>Ecclesiastical or ceremonial metalware<\/li>\n\n\n\n<li>Functional household objects<\/li>\n\n\n\n<li>Small sculptures with strong visual presence<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Choose pieces that are attractive from several angles, structurally sound and sufficiently distinctive to reward closer examination. A smaller collection of substantial, well-designed objects will generally display more successfully than a large group of repetitive, lightweight ornaments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Final Collecting Advice<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The best vintage brass, bronze and decorative metalware rewards careful handling and close observation. Turn an object over, examine how it was made, study every joint and mark, assess its weight and consider the strength of its design.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marks and documented makers matter, but they are not the only measures of quality. An unmarked object with excellent construction, balanced proportions and genuine decorative presence can be a worthwhile collectable in its own right.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Buy the object that is actually in front of you\u2014not the unsupported name attached to it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/themccorrycollection.com\/m\/shop\/product-category\/tmc-emporium\/vintage-brass-bronze-decorative-metalware\/\" title=\"Browse more Vintage Brass, Bronze and Decorative Metalware\"><span style=\"text-decoration: underline;\"><strong>Browse more Vintage Brass, Bronze and Decorative Metalware<\/strong><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vintage brass, bronze and decorative metalware can bring warmth, texture and sculptural character to an interior. The field includes everything from modernist sculptures and nautical ornaments to candlesticks, trays, boxes, bookends, animals, bells, bowls and traditional household objects. Some pieces were individually designed or made by recognised workshops. Others were produced commercially but remain collectable [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20745,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"slim_seo":{"title":"Vintage Brass, Bronze and Decorative Metalware Identification and Collecting Guide - The McCorry Collection","description":"Vintage brass, bronze and decorative metalware can bring warmth, texture and sculptural character to an interior. The field includes everything from modernist s"},"_glsr_average":0,"_glsr_ranking":0,"_glsr_reviews":0,"footnotes":""},"class_list":["post-20743","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/PacHJW-5oz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages\/20743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/comments?post=20743"}],"version-history":[{"count":6,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages\/20743\/revisions"}],"predecessor-version":[{"id":20771,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages\/20743\/revisions\/20771"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/media\/20745"}],"wp:attachment":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/media?parent=20743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}