{"id":19590,"date":"2026-08-12T22:34:35","date_gmt":"2026-08-12T12:34:35","guid":{"rendered":"https:\/\/themccorrycollection.com\/m\/shop\/?page_id=19590"},"modified":"2026-08-12T22:52:43","modified_gmt":"2026-08-12T12:52:43","slug":"arnaud-barraud-pottery-history-marks-collecting-guide","status":"publish","type":"page","link":"https:\/\/themccorrycollection.com\/m\/shop\/arnaud-barraud-pottery-history-marks-collecting-guide\/","title":{"rendered":"Arnaud Barraud Pottery \u2013 History, Marks &amp; Collecting Guide"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"2413\" height=\"1858\" src=\"https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1.jpg\" alt=\"Arnaud Barraud studio pottery bowl illustrating Australian ceramic glaze decoration\" class=\"wp-image-19629\" srcset=\"https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1.jpg 2413w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1-300x231.jpg 300w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1-768x591.jpg 768w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1-1536x1183.jpg 1536w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1-2048x1577.jpg 2048w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1-416x320.jpg 416w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-studio-pottery-bowl-glaze-detail-04-1-64x49.jpg 64w\" sizes=\"(max-width: 2413px) 100vw, 2413px\" \/><figcaption class=\"wp-element-caption\">Arnaud Barraud studio pottery bowl illustrating the distinctive forms, glazes and craftsmanship explored in the TMC Emporium collecting guide.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Arnaud Barraud and Australian Studio Pottery<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arnaud Barraud is a New Zealand-born ceramicist whose career of more than five decades has become closely associated with Australian studio pottery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Born in Palmerston North, New Zealand, in 1942, Barraud initially studied architecture before working as a painter and sculptor. He began making pottery professionally around 1970 and later relocated to Australia, eventually establishing himself within the Victorian studio pottery community.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Working across both functional and decorative ceramics, Barraud has produced bowls, vases, vessels, jugs, teapots and domestic wares characterised by strong forms and varied glaze treatments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This guide explores Arnaud Barraud\u2019s pottery, his background, maker\u2019s marks, characteristic forms and glazes, and the features collectors should consider when identifying and buying his work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Early Years<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barraud\u2019s path into ceramics developed from his earlier interests in architecture, painting and sculpture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While attempting to establish himself as a painter in New Zealand, he spent time with potter <strong>Adrian Cotter<\/strong>, who encouraged him to experiment with pottery. Barraud was introduced to basic stoneware clay and glaze recipes and to the practical processes involved in kiln firing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What began as an experiment developed into a professional ceramics career from around 1970.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barraud later moved to Australia, initially living in Sydney before relocating to Melbourne around 1980. He subsequently became closely associated with the Victorian studio pottery community and the Dandenong Ranges.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arnaud Barraud Pottery<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of the appealing aspects of Barraud\u2019s work is the breadth of his production.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His ceramics include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>bowls<\/li>\n\n\n\n<li>vases and vessels<\/li>\n\n\n\n<li>jugs<\/li>\n\n\n\n<li>teapots<\/li>\n\n\n\n<li>functional domestic ware<\/li>\n\n\n\n<li>decorative studio pieces<\/li>\n\n\n\n<li>stoneware<\/li>\n\n\n\n<li>porcelain<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Barraud is particularly associated with functional and decorative stoneware, although porcelain also forms part of his wider body of work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because his career spans many decades, collectors should not expect all Barraud pottery to conform to one recognisable form, colour palette or glaze treatment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Glazes and Surface Treatment<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barraud\u2019s pottery displays considerable variation in glaze and surface treatment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collectors may encounter relatively restrained functional glazes as well as highly decorative pieces incorporating strong colour, layered surfaces and firing effects.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The large bowl illustrated in this guide demonstrates the latter particularly well. Its interior combines deep blue and violet areas with lighter textured glaze effects and broad red and iron-toned surfaces, framed by a strongly defined red rim.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Can Arnaud Barraud Pottery Be Identified by Glaze?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Glaze colour alone should not be used to authenticate an Arnaud Barraud piece.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because Barraud has worked over such a long period and produced a wide range of ceramics, identification should consider several characteristics together, including:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>maker\u2019s mark<\/li>\n\n\n\n<li>form<\/li>\n\n\n\n<li>clay body<\/li>\n\n\n\n<li>construction<\/li>\n\n\n\n<li>glaze<\/li>\n\n\n\n<li>provenance<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arnaud Barraud Pottery Marks<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arnaud Barraud\u2019s pottery is frequently identified by an <strong>impressed AB maker\u2019s mark or monogram<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The appearance of an impressed pottery mark can vary between individual pieces. Differences in clay condition, pressure when the mark was applied, glazing and firing can affect how clearly the mark appears.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collectors should therefore examine the overall character and construction of the mark rather than expecting every example to appear perfectly identical.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arnaud Barraud Impressed AB Pottery Mark<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1865\" height=\"1873\" src=\"https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark.jpg\" alt=\"Impressed AB maker\u2019s mark on the base of an Arnaud Barraud Australian studio pottery bowl\" class=\"wp-image-19632\" srcset=\"https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark.jpg 1865w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-300x300.jpg 300w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-150x150.jpg 150w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-768x771.jpg 768w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-1529x1536.jpg 1529w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-324x324.jpg 324w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-416x418.jpg 416w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-100x100.jpg 100w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-32x32.jpg 32w, https:\/\/themccorrycollection.com\/m\/shop\/wp-content\/uploads\/2026\/08\/arnaud-barraud-pottery-ab-makers-mark-64x64.jpg 64w\" sizes=\"(max-width: 1865px) 100vw, 1865px\" \/><figcaption class=\"wp-element-caption\">Impressed AB maker\u2019s mark used to identify pottery by Australian studio ceramicist Arnaud Barraud.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>An impressed AB maker\u2019s mark on an Arnaud Barraud studio pottery bowl in the TMC Emporium collection. The clarity and depth of impressed pottery marks can vary according to the clay, application and subsequent firing and glazing.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>How to Identify Arnaud Barraud Pottery<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When examining a possible piece of Arnaud Barraud pottery, consider the object as a whole rather than relying on one characteristic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maker\u2019s Mark<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Look for an impressed <strong>AB<\/strong> mark or monogram and compare it with documented examples.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Form and Construction<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Examine the quality of the form, throwing or construction and whether it is consistent with studio-made ceramics.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Clay Body<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Where visible, particularly around the foot or base, the clay body can provide useful supporting information.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Glaze<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Glaze colour and treatment can help support an attribution but should not be treated as definitive evidence on their own.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Provenance<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gallery labels, auction catalogues, exhibition history and documented previous ownership can substantially strengthen an attribution.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Compare Documented Examples<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Compare the piece with securely attributed Barraud ceramics rather than relying only on online marketplace descriptions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Is All Arnaud Barraud Pottery Vintage?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>No.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barraud began working professionally as a potter around 1970 and his ceramics span many decades.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Some examples encountered on the secondary market may therefore qualify as vintage, while others can be considerably more recent.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Where the date of manufacture cannot be established, it is usually more accurate to describe the piece as:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arnaud Barraud Australian studio pottery<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">rather than automatically describing it as vintage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Collecting Arnaud Barraud Pottery<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The market for Arnaud Barraud pottery varies considerably according to the individual piece.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collectors should pay particular attention to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>form<\/li>\n\n\n\n<li>size<\/li>\n\n\n\n<li>glaze quality<\/li>\n\n\n\n<li>visual impact<\/li>\n\n\n\n<li>condition<\/li>\n\n\n\n<li>maker\u2019s mark<\/li>\n\n\n\n<li>unusual or scarce forms<\/li>\n\n\n\n<li>provenance<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">More modest functional pieces can remain relatively affordable, while larger, visually distinctive or particularly accomplished works may command substantially stronger prices.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Condition When Buying Arnaud Barraud Pottery<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As with other studio ceramics, condition should be assessed carefully.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Check for:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>rim chips<\/li>\n\n\n\n<li>hairline cracks<\/li>\n\n\n\n<li>impact damage<\/li>\n\n\n\n<li>restoration<\/li>\n\n\n\n<li>glaze loss<\/li>\n\n\n\n<li>foot-rim damage<\/li>\n\n\n\n<li>significant staining<\/li>\n\n\n\n<li>structural repairs<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Collectors should also distinguish later damage from characteristics originating during manufacture and firing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Minor glaze variation, pinholing, firing marks and other irregularities can form part of the original studio-making process and should not automatically be interpreted as damage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arnaud Barraud Pottery Values<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Market values for Arnaud Barraud pottery vary according to <strong>form, size, glaze, condition, rarity, visual quality and provenance<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Large or particularly decorative examples can command considerably more than smaller functional pieces.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When assessing value, collectors should compare genuinely similar works and, where possible, give greater weight to <strong>verified sold results<\/strong> than to unsold marketplace asking prices.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Interested in viewing original examples of Arnaud Barraud\u2019s work?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\ud83d\udc49 <strong>Browse <span style=\"text-decoration: underline;\"><a href=\"https:\/\/themccorrycollection.com\/m\/shop\/product-category\/tmc-emporium\/pottery-ceramics\/australian-pottery\/arnaud-barraud-studio-pottery\/\" title=\"Arnaud Barraud Australian Pottery for Sale\">Arnaud Barraud Australian Pottery for Sale<\/a> <\/span>\u2192<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arnaud Barraud and Australian Studio Pottery Arnaud Barraud is a New Zealand-born ceramicist whose career of more than five decades has become closely associated with Australian studio pottery. Born in Palmerston North, New Zealand, in 1942, Barraud initially studied architecture before working as a painter and sculptor. He began making pottery professionally around 1970 and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"slim_seo":{"title":"Arnaud Barraud Pottery \u2013 History, Marks &amp; Collecting Guide - The McCorry Collection","description":"Arnaud Barraud and Australian Studio Pottery Arnaud Barraud is a New Zealand-born ceramicist whose career of more than five decades has become closely associate"},"_glsr_average":0,"_glsr_ranking":0,"_glsr_reviews":0,"footnotes":""},"class_list":["post-19590","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/PacHJW-55Y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages\/19590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/comments?post=19590"}],"version-history":[{"count":6,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages\/19590\/revisions"}],"predecessor-version":[{"id":19640,"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/pages\/19590\/revisions\/19640"}],"wp:attachment":[{"href":"https:\/\/themccorrycollection.com\/m\/shop\/wp-json\/wp\/v2\/media?parent=19590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}